Critical Analysis of Sous Les Arbres Essay Sample free essay sample

Sous Les Arbres is the seventeenth section structure in the second 50% of the book â€Å"L’ Ame en Fleur† . â€Å"L’ Ame en Fleur† is the second book of Victor Hugo’s â€Å"Les Contemplations† . Sous Les Abres is the rubric of the seventeenth section structure while the stanza structures which come straight before it and after aren’t titled. The stanza structure is 24 lines in length. abiding of 6 verses written in 4 line quatrains. It is written in Alexandrines organized in â€Å"rime croisees† all through the 6 quatrains. with an ABAB way of rime. Hugo’s utilization of the Caesura opposes the normal example of interfering with the Alexandrine line into two units of six syllables called a hemistich. on the other hand using the caesura at an a lot more prominent frequence all through the section structure to make the impacts of shakiness and dissymmetry while leting more noteworthy look and emphasize. The hole quatrain bu ilds up the area of the section structure. The section structure takes topographic point in a wood. where a grown-up male and grown-up females significantly enamored are strolling through turn upward toing the nature and universe around them. The season the stanza structure is set in is summer. an unconventionally sentimental and fit scene for the stanza structure due to it’s heat and the magnificence of nature as the encompassing universe is in full blossom. The hole quatrain sets the central subjects of the refrain structure which are love and nature. In the same way as other of Hugo’s stanza structures. the hole refrains set the subject and area of the section structure while he builds up the activities of the section structure from third verse onwards. The third refrain further underscores the subject of nature in the start of the verse while the finishing up lines takes the section structure back to the subject of affection. In the fourth refrain. she lets him know of her adoration for him. The fifth verse joins the subjects of affection and nature into one. Duri ng the sixth verse as dim falls she builds up her full genuineness to him through her adoration using the similitude of a Canis familiaris. The refrain structure opens with a one sentence verse ( lines 1-4 ) written in an Alexandrine with the caesura holding an unpredictable signifier. The caesurae look multiple times all through the verse then again of the ordinary four. The hole three lines all contain an unpredictable plan of the caesura. while the finishing up line is a traditional Alexandrine. The second line finds the couple. in a tranquil wood being upset by the moves. In this line. the moves are an allegory for the air current instigating the in any case despite everything trees. The verse has a nearly positive tone. in spite of the fact that their activities, for example, strolling and discourse creation are hindered by ending â€Å"S’arretaient† â€Å"S’interrompaient† this does non outcome their misgiving of one another. Hugo utilizes beginning rhyme to accentuation the four action words through the rehash of the â€Å"r† in either the first or second syllable of the action w ords. In the last line. their spirits stir is a representation for the pair holding a profound dread of one another. indeed, even in minutes where they do non truly pass on. The second verse opens with the utilization of metonymy and representation. The metonymy being the 2 Black Marias â€Å"ces deux coeurs† stand foring the team while the exemplification happens in the signifier of the grinning imaginative movement â€Å"la inventive action gold sourire innocent† . Hugo again utilizes the caesura in unpredictable game plans all through the verse keeping up the meter the equivalent yet the beat differed. To put emphasize on the action words Hugo puts the caesura after the greater part of the action words inside the verse. In this verse. the subject of adoration is coordinated to the subject of nature as the couple go one with nature â€Å"Disaient a chaque fleur quelque chose† . This verse displays a dubious tone as it highlights both positive and negative creative mind, for example, the positive grin imaginative movement and the dots into the shadows. a word interchangeable with negativeness. dimness and the obscure. The third verse contrasts from the 2 old refrains in that there is no use of the caesura. On the other hand Hugo utilizes enjambment leting the primary line run onto the second line without accentuation to isolate the two. Rime riche can be found in the third refrain through the rhyming of the words â€Å"Corbeille† and â€Å"Abeille† in the first and third lines of the verse. In the second line we consider the to be of summer as it brings her blossoms. felicity and lovely yearss. This ties in the subjects of nature and felicity. Hugo utilizes the analogy of a honey bee to delineate her affection for the blossoms and her naming of the blossoms. As a honey bee would intently cognize the environing blossoms due to it’s need for nutriment. she realizes the environing blossoms because of her interest of nature. Hugo interferes with this word image of the environing nature by her appeal to discuss their affection in the closing line. The hole line of the fourth verse is per regular an Alexandrine yet the reference marks break the line into three developments of four syllables with the caesura puting accent on the terminal of every four syllable period. Hugo utilizes the caesura here to underscore her affection for him â€Å"Je suis nut haut. je suis en bas† . Her perception over him from both above and underneath him is a picture for her affection resembling a defensive soul, for example, a watchman holy messenger pardon the adage . The male’s reaction is frail in contrasting. asking the names of the encompassing workss after such a significant spring by his darling. Hugo utilizes Rime Faible in this verse as a fit strategy for rime for the guys dissatisfactory and meager reaction. In contrasting with his dissatisfactory reaction in the fourth verse the initial two lines of the fifth refrain are entirely extraordinary. Again the subjects of nature and love consolidate â€Å"il savourait Ces fleurs et cette femme. † In the initial two lines we see the vowel rhyme of the â€Å"o† sound â€Å"O title-holder! † â€Å"O bois! † â€Å"o pres! † what's more the ou sound â€Å"il savourait† â€Å"ou tout† . The â€Å"o† vowel rhyme here underscoring areas inside nature while the â€Å"ou† vowel rhyme underscoring the more human aspect of the refrain. his tasting of nature piecing into one. Hugo upsets the finishing up two lines to underscore the importance of the grown-up female to the grown-up male. Utilizing the fragrance of the blossoms as a word image of his mind. while the woman’s mind is his ain incredible smell. As they are infatuated and the grown-up male has bit of the woman’s mind. t he extraordinary smell is a representation for the grown-up female being an incredible extra to his being. The finishing up refrain shuts the section structure as dim is falling around the pair. In the principal line there is the underlying rhyme of the â€Å"n† sound â€Å"nuit† â€Å"tronc† â€Å"chene† â€Å"noir† . The vowel rhyme of the â€Å"n† sound combines the obscurity of dusk and that of the dark oak tree they are lean support on. Hugo utilizes two likenesses in the finishing up verse. the star and the Canis familiaris. She says to her darling that her petition is ever in the sky like a star â€Å"Ma priere toujours dans vos ciuex comme un astre† and that her affection like a Canis familiaris will ever be at his pess â€Å"Et mon issue toujours comme un chien a tes pieds† . The star and the Canis familiaris can other than be viewed as images. The star being an image for counsel. stars being utilized for pilotage during dimness. While the Canis familiaris is an image for certainty. an unoriginal term however evident being t hat â€Å"dog is man’s best friend† . persistently faithful to their owner. Hugo utilizes rime riche in the finishing up refrain as the terminal of the section structure surpasses the reader’s starting standpoints of such a spring of feeling. As exhibited it is clear the stanza structure is fixated regarding the matter of affection with the subject of nature used, as it were, to compliment this subject. The main activity taking topographic point in the stanza structure is the couples’ stroll through the wood as they respect the incorporating universe while other than talking their affections for one another. As Hugo didn’t day of the month the section structure other than it being written in June some twelvemonth during the nineteenth century it can’t be obviously connected with a specific occurring in his life yet as the book â€Å"L’Ame nut fluer† depends on his relationship with his kept lady Juliette Drouet so it tends to be accepted the stanza structure is live overing a walk they shared. the stanza structure subsequently being a hapless deception. â€Å"Sous Les Arbres† fits in great with the rest of â€Å"L’Ame en fluer† due to it’s subjects of Love and Nature. Like a lot of his work Hugo utilizes unpredictable beat all through the refrain structure because of the dislodged caesura. The methods Hugo uses joined with the subjects of affection and nature make this stanza structure a great outline of Hugo’s sentimental poetics generally as it is run of the mill to a lot of his work inside â€Å"Les contemplations† .